Get Allan Kaprow, Robert Smithson, and the Limits to Art PDF

By Philip Ursprung, Fiona Elliott

ISBN-10: 0520245415

ISBN-13: 9780520245419

This leading edge learn of 2 of crucial artists of the 20th century hyperlinks the paintings practices of Allan Kaprow and Robert Smithson of their makes an attempt to check the bounds of art--both what it truly is and the place it really is. Ursprung offers a worldly but available research, putting the 2 artists firmly within the paintings global of the Sixties in addition to within the artwork ancient discourse of the next many years. even supposing their practices have been relatively diversified, they either prolonged the studio and gallery into wasteland landscapes, deserted warehouses, business websites, educate stations, and different areas. Ursprung bolsters his argument with immense archival learn and sociological and fiscal types of enlargement and bounds.

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Additional resources for Allan Kaprow, Robert Smithson, and the Limits to Art

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Robert Desnos et Le Grand Jeu « Qu’est-ce qui t’a hissé, une fois encore, un peu plus haut, sans te convaincre? » Et au René Char de Fureur et Mystère1 de continuer : « Il n’y a pas de siège pur. » C’est, parmi d’autres qualités, une voix anciennement surréaliste – d’une génération postérieure, il est vrai, à celle de Desnos – qui parle ; lors, aussi, d’événements qui disqualifient ou du moins dégoûtent de la posture souveraine, autonome, voire angélique face au monde des contingences, nécessités et autres facteurs de compromission.

216–24. 50 Michael G. Kelly souffle qui récuse toute régularité – tantôt comme le souligne Michel Murat,17 pris dans une sorte de fuite en avant ou accélération où l’ampleur du verset en page correspond à une accélération d’image en image, figurant ainsi comme une défaillance intime de la figuration ; tantôt reprenant haleine, comme dans le tout dernier pour formuler dans une équilibre emphatique sa résolution espérée : « Tes yeux tes yeux si beaux sont les voraces de l’obscurité, du silence et de l’oubli.

Le plus souvent alors le sens se perd, comme dans les Ténèbres du poème qui porte ce titre. » Michel Murat, « Robert Desnos Poète Lyrique (Fragments) », in « Moi qui suis Robert Desnos ». 97). Remarques et analyses approfondies dans Michel Murat, Robert Desnos, Les grands jours du poète (Paris : José Corti, 1988). 41. Pureté de l’impur. Robert Desnos et Le Grand Jeu 51 coup le texte accède à une pureté d’anti-poésie par un anti-lyrisme intégralement mené à bien : « Les femmes hurlent soudain toutes avec des gorges de louves, parce que dans les faubourgs s’est glissé un homme nu et blanc venant des campagnes.

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Allan Kaprow, Robert Smithson, and the Limits to Art by Philip Ursprung, Fiona Elliott


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